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Simulated Colour Filters
Translucent overlays to see colour constancy effects like those produced by photographing through coloured filters
Description
The Simulated Colour Filters page is inspired by Experiments in Colour Vision by Edwin Land from 1959 (Land’s paper here).
Land was not the first to demonstrate the effect of creating coloured images from black-and-white film taken through filters, In the late 19th and early 20th century there were the Biocolour process, Kinecolour and early Technicolor, all used red and green filters onto black-and-white film, re-projected through red and green filters to create something approaching full colour on screen.
Colour films made by Claude Friese-Greene in the 1920s using the Biocolour process can be seen on YouTube.
Can we simulate that on the computer monitor? On this page you select a colour photo and the code creates a greyscale image from that; it then creates three monochrome images in different colours, with translucency. Then it overlays these images which one would imagine would produce a subtractive mix – unlike projected images which form an additive mix.
What they actually produce seems to be a feature of the formula in the code used for making the coloured monochrome image. This is all experimental and I am working on getting my head round it.
See also my page Colour Constancy Overlays.
Select Picture
or
or alternatively image url apply
  – see copyright notice
Cannot load https://landofinterruptions.co.uk/images/colourfawts/Street Entertainer.jpg
This page requires HTML5 - your browser is to old to display the page images
Brightness calculation formula:
gamma
squared
linear
gamma exponent
sRGB
YIQ
CIE XYZ
Lgtness
Average
Exponent if blank or zero is 2.4 For details of what the calculations mean see:
Formulas for Calculating Pixel Brightness
Image below is in four layers:
from the bottom up: Layer 4 is Black and White; then Layer 3, Layer 2, Layer 1 for which you can choose the colour.
In each case the opacity is set by slider.
Any of the layers can be switched on or off. When they are off the layer slides down below the main panel.
Layer 4 black & white
b&w opacity adjust%
Layer 3 (middle lower)
canvas pointer
H:°
S: %
V: %
V: is vertical position on the colour block, it is related to but different from brightness
R:
G:
B:
Web Hex:        Brightness: 128
opacity adjust%
Layer 2 (middle upper)
canvas pointer
H:°
S: %
V: %
V: is vertical position on the colour block, it is related to but different from brightness
R:
G:
B:
Web Hex:        Brightness: 222
opacity adjust%
Layer 1 (top)
canvas pointer
H:°
S: %
V: %
V: is vertical position on the colour block, it is related to but different from brightness
R:
G:
B:
Web Hex:        Brightness: 143
opacity adjust%
The overlaid translucencies
layer 4 B&W layer 3 – layer 2 – layer 1 –
This page last updated 30 October 2024